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Computer-generated image with a traditional building in the background and a large, bronze colour sea shell, with a low ramp going into the centre, with a figure walking up the ramp. image with a traditional building in the background and a large, bronze colour sea shell, with a low ramp going into the centre, with a figure walking up the ramp.

London's Memorial to the Victims of Transatlantic Slavery

The Wake by Khaleb Brooks will be London’s new Memorial to Victims of Transatlantic Slavery.

Although much of London’s wealth was built on the labour of enslaved Africans, there are few memorials that focus on those that were enslaved. Many public memorials in London commemorate enslavers or focus on abolitionists. The new memorial is a chance to redress the balance.

The Mayor of London has committed £500,000 to develop the memorial. We’re proud to work with OMMX and YAA Projects as architects for the memorial’s setting.

The Wake will be outside the London Museum Docklands in West India Quay. The memorial is a result of engagement with Londoners. It's joined by a learning programme and there will be more ‘Sites of Memory’ across the city and the world.

A picture of someone walking up a mock-up of The Wake, a bronze-coloured art piece by Khaleb Brooks

Discover The Wake

The new memorial will feature a nearly seven-metre-high bronze cowrie shell. Cowrie shells hold cultural and spiritual significance. But became a stark symbol of slavery and the exploitation of human life as currency.

The Wake acknowledges that dark past but reclaims the cowrie shell as a symbol of resilience, creating a space for contemplation and reflection.

Learn more about The Wake

Get involved

The new memorial will deepen London’s story and shape how we understand the city. If you’d like to get involved, email [email protected].

See why London needs this memorial  

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Watch: The Wake's announcement in 2024

Learn and connect to the history

Find out why London’s getting a new memorial and how we're developing it with key partners and communities.

A picture of slave faces on a wall within The Wake, a bronze-coloured art piece by Khaleb Brooks. It shows bronze rods hanging from the ceiling, with a crowd gathered below

Discover the partner memorials that will connect the global history and stories of slavery across London and the world.

London Docklands public square photograph with a faded, grainy purple filter overlaid. A central yellow circle spotlights the location for a new memorial artwork.

Why it's called memorial to victims of transatlantic slavery

This memorial focuses on those who suffered, were oppressed and forced to overcome horrific harms committed against them. So we refer clearly to the victims of transatlantic slavery.  

We acknowledge the word ‘victim’ comes with complex meanings. For some, it validates that horrifying crimes were committed against enslaved Africans. For others, it is passive and ahistorical, denying the strength and resistance of those enslaved. 

We acknowledge that language is continually changing when talking about transatlantic slavery. We will continue to listen and explore how we can best talk about this project in a manner that is respectful, humanising and accurate.

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